This opinion still perseveres because, in the early days of digital design, you would have tried to avoid using serif typefaces on screens because of their small pixel density. While Sans Serif fonts typically really stand out in large titles.Įven in 2020, there is this infamous superstition, that you shouldn’t use serif fonts on a digital screen. A very simple approach is to use Serif fonts at smaller body copy sizes as they are usually easier to read. In general, benefits are using both Serif and Sans Serif fonts in different situations. You know Arial, right? That is a typical Sans Serif typeface - Times New Roman, on the other hand, is a font with serifs. If you don’t know the difference between Serif and Sans serif, “sans” simply means “without” and serifs are small lines or strokes attached to the end of a larger stroke. However, the next rule is going to help you with that.Ĭhoose any font you like … as long it belongs to this list. And make sure it comes with various weights to differentiate your heading and subheading from your body text without concerns. If you do not want to make your fortune dependent on chance and you aren’t familiar with the art of fresh typography and the decision-making process behind font-matching, just stick to your favourite font family. Maybe you were lucky enough and your combination has even been mentioned in this article of Digital Synopsis. If you have to use two different typefaces, try using a mix of serif and sans serif instead. For example, do not use Akzidenz Grotesk and Avenir–two per se excellent sans serif fonts–together in the same design because they share too many similarities to the unskilled eye. In general, a good rule of thumb is, to avoid two typefaces that look similar to each other and have the same classification. It requires an in-depth understanding of the essence in type or an enormous portion of luck. Using two different fonts successfully in a layout is hard. Make your life easier and stick to one font in different weights.
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